Track 18
Este audio corresponde a la actividad de la página 82 del libro. Completa el vocabulario referente a los materiales de dibujo, y repite el audio tantas veces como te apetezca.
Track 19
Completa el ejercicio de la página 86 de tu libro escuchando el audio. Vuelve a ponértelo tantas veces como quieras para practicar y adquirir una buena entonación, y la pronunciación correcta de los tipos de ángulos que aparecen.
Track 20
Descubre quién fue Wassily Kandinsky en este audio y completa el ejercicio de la ficha de la página 88.
Escúchalo cuantas veces creas necesario, y repítelo en voz alta para mejorar tu pronunciación.
Aquí tienes las transcripciones de los audios colgados anteriormente.
Track 18 (página 82):
-You need a compass to draw a perfect circle.
-To draw parallel lines you can use a set of triangles.
-If you use a pencil, you can use a rubber to delete what you have drawn.
-To measure angles we normally use a protactor.
-A graphite pencil is a basic drawing tool, for example, for sketching.
-To measure distances or to draw straight lines we use a ruler.
-A technical pen is a specialised instrument to make lines of constant width.
Track 19 (página 86):
-Parallel lines never intersect because all their point are equidistant.
-When two lines cross forming four right angles they are called perpendicular lines.
-Oblique lines are neither parallel nor perpendicular.
-Angles which share one side and the vertex are adjacent.
-Two angles are complementary if they add up to 90 degrees and they are sumplementary angles if they up to 180 degrees.
-A right angle measures 90 degrees, an obtuse angle is greater than 90 degrees and an acute angle less than 90.
Track 20 (página 88):
Wassily Kandinsky was a Russian artist who spent most of his life in Germany and France in the first half of the 20th century. He was one of the first creators of pure abstraction in modern painting.
His paintings evolved from fluid figures to geometric compositions and, finally, to pictographic representations.
He became known as a pioneer able to comunicate strong emotions through his abstract art. He believed that he could reveal the essence of things by dematerialising their external appearance.
